The Enterprise zipped across the galaxy in a matter of minutes, as if the crew was just commuting across town. In the last two movies, despite the fate of Earth continually hanging in the balance, the world felt awfully small, almost claustrophobic. Perhaps the most important difference is a subtle one. (Also, by revealing that John Cho’s Sulu has a husband, it finally includes a gay character on the bridge of the Enterprise). The movie includes plenty of winks and nods to the past, but they don’t overcrowd the story, which is busy introducing new worlds, new civilizations and new characters. And where Star Trek ’09 and Into Darkness seemed intent on repeating, tweaking or at best reinventing what we’d seen before, Beyond directs the franchise outward. For one thing, it manages to avoid any aggressively dumb moments. But I didn’t mind, because there were other moments when I was smiling so hard that my face could have split open.Īnd even if the script by Simon Pegg and Doug Jung goes heavy on spectacle, it’s a significant step up from the past two films. So no, I’m not really sure why Kirk ends up speeding through the enemy base on a motorcycle, and I can’t explain why the final confrontation takes place in a ridiculously complicated-looking airlock. In his four (!) Fast and Furious films, director Justin Lin already demonstrated that he knows how to transform silly ideas into set pieces that are spectacular and thrilling, and he doesn’t disappoint here. Abrams, Trek movies have to stick with the Hollywood blockbuster template, then at least the action is entertaining. Sure, I miss the more cerebral incarnations of Star Trek. This didn’t bother me as much as I expected. A few minutes later, however, a swarm of ships smashes through the Enterprise’s hull, and our cast is left scattered across the surface of a mysterious planet.įrom that moment on, the bigger questions are pretty much swept off the table in favor of action, action and more action. ![]() This could be the promising setup for a Trek that’s meditative, character-driven and kind of meta - an attempt to redefine the franchise as it celebrates its 50th birthday. Kirk (played by Chris Pine) asked for at the end of Star Trek Into Darkness, but now he’s complaining that things are starting to feel a little “episodic,” and he’s wondering about the point of it all. It's this type of dedication that made his tenure as Pavel Chekov such a fan favorite aspect of the trilogy.Let’s start with the obvious: Star Trek Beyond is a pretty good movie, but it doesn’t quite make it into the top tier of Trek films like The Wrath of Khan, The Undiscovered Country and First Contact.īeyond, which opens today, starts with the crew of the Enterprise in the middle of its five-year, deep space mission. So this included silently suffering through symptoms of cystic fibrosis while shooting a weeks worth of stunt footage. It looks like Anton Yelchin was determined to shoot all of his scenes in Star Trek Beyond. He didn’t use to get out of this fight scene, which he could easily have done, obviously. ![]() I haven’t actually thought about it until now, but looking back on it, I remember how hard it was for him to get through it. We had about a week of doing a pretty intense stunt, like a really grueling, physically demanding stunt. I don’t think anyone knew that he was battling the illness that he was. While we were shooting, especially towards the end, I think we could all tell that something wasn’t right with Anton. It was revealed posthumously that Yelchin suffered from cystic fibrosis, and Pine remembered a scene where he's sure the young actor was silently suffering. The Star Trek cast recently assembled to celebrate the first movie's 10-year anniversary, and Chris Pine spoke to working with Yelchin. Anton Yelchin played Pavel Chekov in all three Star Trek movies, although the threequel Beyond was released after his unexpected death at the age of 27.
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